CBRE: turning dense corporate data into clear visual stories
CBRE's sales materials had to communicate complex performance metrics to stakeholders — but the existing collateral suffered from information overload, weak visual hierarchy, and inconsistency across regions. As Graphic Designer, I turned dense market and consumer data into clear, modular infographics for sales materials, and kept the brand's digital presence current through web banner and email campaign design.
01Context
In commercial real estate, the numbers are the product: market performance, building economics, consumer research. But numbers only persuade when people can actually read them. CBRE's sales materials were dense with data that stakeholders had to work to extract — and each region formatted things its own way, diluting a brand built on authority and precision.
02What I did
- Information hierarchy: restructured how content flows through sales materials, so key figures surface immediately instead of hiding inside dense pages — deciding what a stakeholder should see first, second, and last.
- Data visualization: transformed intricate market and consumer data sets into bold, modular infographics — complex metrics made legible at a glance, without dumbing them down.
- Reusable templates & visual guidelines: built flexible templates that kept sales materials and decks consistent — one visual voice across formats and regions.
- Digital production: designed and maintained the website banners and email campaigns — my first sustained digital design work, where layouts had to perform on screens and in inboxes, not just on paper.
03The work
Research infographics — sales materials
Two research infographics, each starting from a dense data set — building statistics, rental economics, consumer behavior studies — and ending as a single page a stakeholder can absorb in a minute.
Digital — web banner design
04Why this project matters
CBRE is where I learned that clarity is a design deliverable. Making a complex data set understandable at a glance — deciding hierarchy, cutting noise, guiding the eye — is the same discipline I later applied to product cards at Costco and market-specific layouts at Melaleuca. It's also where my work went digital: banners and email campaigns were the bridge from print into the screen-based design that became my career.
Numbers don't speak for themselves — someone has to design the way they're read. That job was mine.